I’m writing about these things because at a base level, we media composers are at least in some part observers; even nominally psychologists. It’s our job to see humans, hear stories, to imagine. We must try to understand the human experience if we are to attempt to communicate our findings through music or even sound. I’m also writing this as an antidote to my feelings of insanity on the subject, am I alone here? Is anyone else seeing or feeling this?